PreSonus StudioLive 16.4.2 16 Channel Digital Mixer

Special Price $1,999.95 Regular Price $2,499.95
 
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SKU
PRESONUS-STUDIOLIVE
16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers 4 subgroups Stereo/mono main out 6 auxiliary mixes 32-in/18-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz)
PreSonus StudioLive 16.4.2 16 Channel Digital Mixer You’ll never go back to an old-school analog mixer once you’ve used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you’ll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production. But StudioLive is not simply a mixer, it’s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording. The StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it’s a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It’s the perfect hardware core for a project studio. Or daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events. Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more. Yet despite its many controls and features, it’s compact, rack-mountable, and easy to transport. Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance. StudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities
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SKU PRESONUS-STUDIOLIVE
Freeshipping Free Shipping
MPN (manufacturer part number) STUDIOLIVE
Condition New
Features 16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers 4 subgroups Stereo/mono main out 6 auxiliary mixes 32-in/18-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz) Studio One Artist Digital Audio Workstation software for Mac™ and PC Capture™ 1.1 recording software for Mac™ and PC Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more 16 channel strips Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!) +48V phantom power switch for condenser microphones FireWire Input Select 100 mm precision faders Lighted Solo and Mute buttons Access to Fat Channel functions 15-LED ladder metering + clip LED Analog ¼" insert (rear panel) 4 subgroup buses, each with: Solo Mute Access to Fat Channel functions (except high-pass filter and phase reverse) 6 aux sends, each with Solo Pre/post-fader send Output-level control Access to Fat Channel functions (except phase reverse) Mix and Mix/Pan Fat Channel metering Available sources: 16 input channels, Aux A and B, Tape Input, Talkback 2 internal effects sends, each with: Mute Pre/post-fader send Output-level control Access to Fat Channel (except phase reverse) Effects-send Select for Fat Channel metering Mix button for aux-bus mixing and Fat Channel metering Master Section Aux Input A and B Level Control and Select (Fat Channel metering) switch Access to all Fat Channel functions (except phase reverse) Talkback System Mic Level control Output Select ( Aux 1-2, 3-4, 5-6, Main) Talk button Rear-panel XLR mic input with level control and continuous 48V phantom power 2 Track In Level control Tape Input to Mains button FireWire source on/off Solo Bus Cue Mix volume control PFL/AFL and Solo In Place (SIP) buttons Monitor Bus Headphone-output level control Control-room monitor-level control Solo Bus to Monitor button Tape Input to Monitor button Main L/R FireWire Return to Monitor button Main Mix to Monitor button Fat Channel with rotary encoders: Pan with dedicated 15-LED display Stereo link for input channels, aux buses, and subgroups Phase reverse (main channels only) High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux’s only) 4-band semi-parametric equalization Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, switchable 0.55/2.0 Q High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, switchable 0.55/2.0 Q High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking Gate: Threshold 0 to –84 dB; Rate: 2 to 0.05 sec Compressor: Threshold -56 to 0 dB, Ratio 1:1 to 14:1, Attack 0.2 to 150 ms, Release 40 to 1000 ms, Makeup Gain 0 to 28 dB, Soft Knee switch, Auto Mode with 10 ms Attack and 150 ms Release Limiter: 0 dBFS Threshold, ∞:1 Ratio Output Assign: 4 subgroups and main with post-EQ/post-dynamics option All settings can be copied among channels and saved as user presets. 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals 2 internal digital effects-processors, each with 50 customizable reverb and delay presets 31-band graphic equalizers Available on Main Outputs only Scene Store and Recall Global Scene Storage: all current StudioLive settings Up to 80 at a time Automatic Global AutoStore Individual channel-strip Scene storage Up to 48 at a time, plus… 50 factory presets for instruments and vocal Copy and Paste between channels Customizable naming (for example, “Saturday Gig” or “Main Worship Service”) Lockout mode to keep inspired amateurs from changing your settings Metering/Displays 16 x 16- LED Fat Channel matrix: Pre-dynamics/pre-fader input Post-dynamics/post-fader output Gain reduction Aux 1-6 and EFX A/B output Fader-position recall 8 x 15-LED main meter bank Selected channel level Selected channel gain reduction Sub buses 1 to 4 Main stereo outputs 15-LED horizontal Pan/Balance display 64 x 194 LCD matrix Effects parameters Scene creation, storage, and recall System menus 2-digit Channel Selected display Input/Output 16 main inputs, each with XLR mic, ¼” line, and ¼” inserts 2 ¼" stereo (L/R) aux inputs 1 XLR talkback-mic input with phantom power and level control Unbalanced RCA stereo (L/R) tape inputs and outputs XLR stereo (L/R) main outputs with level control ¼" stereo (L/R) main outputs XLR mono output with level control ¼" stereo (L/R) control-room outputs ¼" Headphone output 4 ¼" subgroup outputs 6 ¼" aux outputs 16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out 2 FireWire 400 ports Digitalia High-definition analog-to-digital converters (118 dB dynamic range) Unlimited-headroom, 32-bit floating point, digital mixing and effects processing Internal sample frequency 44.1 kHz and 48 kHz Physical Rugged, non-flex steel chassis 100 mm long-throw faders Military-grade, quick-touch buttons BNC 12V lamp socket Optional dust covers available
Specs Computer system requirements: Below are the minimum computer-system requirements for your StudioLive 16.4.2. Windows Windows 7, Vista, XP (32-bit and 64-bit) Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended) 1 GB RAM (2 GB or more recommended) Macintosh Mac OS X 10.5.2 or later (32-bit and 64-bit) PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended) 1 GB RAM (2 GB or more recommended) Windows and Macintosh Systems IEEE 1394 FireWire 400 Port Internet connection recommended DVD-ROM drive Internal or external 7200 RPM storage drive highly recommended Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels. Known compatible and incompatible hardware Microphone Preamp 1-16 (XLR Balanced) Type XLR Female, Balanced Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu Input Impedance (Balanced) 1K Ohm THD to Direct Output < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd THD to Main Output) <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd S/N Ratio to Direct Output -97 dB S/N Ratio to Main Output -94 dB Common Mode Rejection Ratio +65 dB Gain Control Range -16 dB to +67 dB (+/- 1 dB) Maximum Input Level (unity gain) +16 dBu Phantom Power +48 VDC Line Inputs Type 1/4" TRS Female, balanced mono Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu Input Impedance 10 kΩ THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output -105 dB S/N Ratio to Main Output -94 dB Gain Control Range -20 dB to +20 dB (+/- 1 dB) Maximum Input level (unity gain) +22 dBu Tape Inputs Type 1/4” TRS Female, balanced mono Maximum Input Level +22 dBu Auxiliary Inputs Type 1/4” TRS Female, balanced (2 stereo pairs) Maximum Input Level +22 dBu Main Outputs Type Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level +24 dBu Output Impedance 10 kΩ Aux Outputs Type 1/4” TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 Ω Subgroup Outputs Type 1/4” TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 Ω Tape Outputs Type RCA Female, unbalanced (stereo pair) Rated Output Level +18 dBu Output Impedance 100 Ω Control Room Outputs Type 1/4” TRS Female, balanced (stereo pair) Rated Output Level +18 dBu Output Impedance 51 Ω System Cross Talk Input to Output -90 dBu Adjacent Channels -87 dBu Noise Gate / Expander Threshold Range -84 dB to 0 dB Attack Time 0.5 ms Release Time 0.05s to 2s Expander Attenuation Range 2:1 Noise Gate Attenuation Range ∞ Compressor Threshold Range -56 dB to 0 dB Ratio 1:1 to 14:1 Attack Time 0.2 ms to 150 ms Release Time 40 ms to 1000 ms Auto Attack and Release Attack = 10 ms, Release = 150 ms Curve Types hard and soft knee EQ Type 2nd order shelving filter (Q = 0.55) Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB Low Mid 90 Hz to 1.2 kHz, ±15 dB High Mid 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DAC Dynamic Range (A-wtd, 48 kHz) 118 dB FireWire S400, 400Mb/s Internal Processing 32-bit, floating point Sampling Rate 44.1, 48 kHz A/D/A Bit Depth 24 Reference Level for 0 dBFS -18 dBu Clock Jitter <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out) Power Connector IEC Input-Voltage Range 90 to 240 VAC (factory-configured for country of destination) Power Requirements (continuous) 100 W Physical Length 22.35 inches (568.06 mm) Width (chassis only) 17.22 inches (437.40 mm) Width (with rack ears) 19 inches (482.60 mm) Maximum Height 6.90 inches (175.26 mm) Weight 23 lbs.
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