Presonus StudioLive 24.4.2 24-Channel Digital Mixer

Special Price $2,999.00 Regular Price $3,999.95
 
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PRESONUS-STUDIOLIVE24.4.2
24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers 4 subgroups Stereo/mono main out 10 auxiliary mixes 32-in/26-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz) Studio One Artist Digital Audio Workstation software for Mac™ and PC

Presonus StudioLive 24.4.2 24-Channel Digital Mixer Have you tried using Presonus’ StudioLive 24.4.2 analog mixer yet? StudioLive’s incredible signal-processing power on every channel, easy store and recall of every setting, and its ability to record it all with just two mouse clicks will surely make you decide to never want to go back to an old-school analog mixer anymore. Besides, you don’t have to be a professional user to create quality mixes and recordings. StudioLive is user-friendly that even an amateur may quickly enjoy it. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, StudioLive 24.4.2 delivers the most creative environment possible for both live performance and studio music production. The StudioLive 24.4.2 is a fine choice for those who want to mix small to medium-sized shows, worship services, club systems, corporate applications, and even educational institutions. Besides, it’s the perfect hardware core for a project studio. StudioLive is not simply a mixer. Rather, it’s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording. In this one device are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 10 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more. Yet despite its many controls and features, StudioLive 24.4.2 is compact and easy to transport. See it. Touch it. Change it: the ease of analog meets the power of digital. Build live mixes that glisten with clarity and detail — then record and enhance the performance with the power of StudioLive 24.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Get your unit of the StudioLive 24.4.2 now!

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SKU PRESONUS-STUDIOLIVE24.4.2
Freeshipping Free Shipping
UPC (Universal Product Code) No
MPN (manufacturer part number) STUDIOLIVE24.4.2
Discount No
Condition New
Open Box No
Is Product Available for Purchase with Google Checkout N/A
Features 24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers 4 subgroups Stereo/mono main out 10 auxiliary mixes 32-in/26-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz) Studio One Artist Digital Audio Workstation software for Mac™ and PC Capture™ 1.1 recording software for Mac™ and PC Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more 24 channel strips Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!) +48V phantom power switch for condenser microphones FireWire Input Select 100 mm precision faders Lighted Solo and Mute buttons Access to Fat Channel functions 15-LED ladder metering + clip LED Analog ¼" insert (rear panel) 4 subgroup buses, each with: Solo Mute Access to Fat Channel functions (except high-pass filter and phase reverse) 10 aux sends, each with Solo Pre/post-fader send Output-level control Access to Fat Channel functions (except phase reverse) Mix and Mix/Pan Fat Channel metering Available sources: 24 input channels, Aux A and B, Tape Input, Talkback 2 internal effects sends, each with: Mute Pre/post-fader send Output-level control Access to Fat Channel (except phase reverse) Effects-send Select for Fat Channel metering Mix button for aux-bus mixing and Fat Channel metering Master Section Aux Input A and B Level Control and Select (Fat Channel metering) switch Access to all Fat Channel functions (except phase reverse) Talkback System Mic Level control Output Select ( Aux 1-2, 3-6, 7-10, Main) Talk button Rear-panel XLR mic input with level control and continuous 48V phantom power 2 Track In Level control Tape Input to Mains button FireWire source on/off Solo Bus Cue Mix volume control PFL/AFL and Solo In Place (SIP) buttons Monitor Bus Headphone-output level control Control-room monitor-level control Solo Bus to Monitor button Tape Input to Monitor button Main L/R FireWire Return to Monitor button Main Mix to Monitor button Fat Channel with rotary encoders: Pan with dedicated 15-LED display Stereo link for input channels, aux buses, and subgroups Phase reverse (main channels only) High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux’s only) 4-band fully parametric equalizer Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0 High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0 High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking Master EQ On/Off button Gate: Threshold: 0 to –84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio Output Assign: 4 subgroups and main with post-EQ/post-dynamics option All settings can be copied among channels and saved as user presets. 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals 2 internal digital effects-processors, each with 50 customizable reverb and delay presets 31-band graphic equalizers Assignable in four stereo pairs Mono or stereo operation Main outputs, aux outputs, subgroup outputs Scene Store and Recall Global Scene Storage: all current StudioLive settings Up to 80 at a time Automatic Global AutoStore Individual channel-strip Scene storage Up to 48 at a time, plus… 50 factory presets for instruments and vocal Copy and Paste between channels Customizable naming (for example, “Saturday Gig” or “Main Worship Service”) Lockout mode to keep inspired amateurs from changing your settings Metering/Displays 24 x 16- LED Fat Channel matrix: Pre-dynamics/pre-fader input Post-dynamics/post-fader output Gain reduction Aux 1-10 and EFX A/B output Fader-position recall 8 x 15-LED main meter bank Selected channel level Selected channel gain reduction Sub buses 1 to 4 Main stereo outputs 15-LED horizontal Pan/Balance display 64 x 194 LCD matrix Effects parameters Scene creation, storage, and recall System menus 2-digit Channel Selected display Input/Output 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts 2 ¼" stereo (L/R) aux inputs 1 XLR talkback-mic input with phantom power and level control Unbalanced RCA stereo (L/R) tape inputs and outputs XLR stereo (L/R) main outputs with level control ¼" stereo (L/R) main outputs XLR mono output with level control ¼" stereo (L/R) control-room outputs ¼" Headphone output 4 ¼" subgroup outputs 10 ¼" aux outputs 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out 2 FireWire 400 ports Digitalia High-definition analog-to-digital converters (118 dB dynamic range) Unlimited-headroom, 32-bit floating point, digital mixing and effects processing Internal sample frequency 44.1 kHz and 48 kHz Physical Rugged, non-flex steel chassis 100 mm long-throw faders Military-grade, quick-touch buttons BNC 12V lamp socket Optional dust covers available
Specs Computer system requirements: Below are the minimum computer-system requirements for your StudioLive 24.4.2. Windows Windows 7, Vista, XP (32-bit and 64-bit) Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended) 1 GB RAM (2 GB or more recommended) Macintosh Mac OS X 10.5.2 or later (32-bit and 64-bit) PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended) 1 GB RAM (2 GB or more recommended) Windows and Macintosh Systems IEEE 1394 FireWire 400 Port Internet connection recommended DVD-ROM drive Internal or external 7200 RPM storage drive highly recommended Microphone Preamp 1-24 (XLR Balanced) Type XLR Female, Balanced Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu Input Impedance (Balanced) 1K Ohm THD to Direct Output < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd THD to Main Output) <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd S/N Ratio to Direct Output -97 dB S/N Ratio to Main Output -94 dB Common Mode Rejection Ratio +65 dB Gain Control Range -16 dB to +67 dB (+/- 1 dB) Maximum Input Level (unity gain) +16 dBu Phantom Power +48 VDC Line Inputs Type 1/4" TRS Female, balanced mono Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu Input Impedance 10 kΩ THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output -105 dB S/N Ratio to Main Output -94 dB Gain Control Range -20 dB to +20 dB (+/- 1 dB) Maximum Input level (unity gain) +22 dBu Tape Inputs Type 1/4” TRS Female, balanced mono Maximum Input Level +10 dBu Auxiliary Inputs Type 1/4” TRS Female, balanced (2 stereo pairs) Maximum Input Level +22 dBu Main Outputs Type Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level +24 dBu Output Impedance 10 kΩ Aux Outputs Type 1/4” TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 Ω Subgroup Outputs Type 1/4” TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 Ω Tape Outputs Type RCA Female, unbalanced (stereo pair) Rated Output Level +18 dBu Output Impedance 100 Ω Control Room Outputs Type 1/4” TRS Female, balanced (stereo pair) Rated Output Level +18 dBu Output Impedance 51 Ω System Cross Talk Input to Output -90 dBu Adjacent Channels -87 dBu Noise Gate / Expander Key Listen Filter () 2nd order resonant bypass; Q=0.7; OFF, 40Hz-16kHz Threshold Range -84 dB to 0 dB Gate Attenuation Range -84 dB to 0 dB Attack Time 0.02s to 500ms Release Time 0.05s to 2s Expander Attenuation Range 2:1 Limiter Threshold -28dBFS Ratio ∞ :1 Attack 20ns Hold 10ms Release 20ms Compressor Threshold Range -56 dB to 0 dB Ratio 1:1 to 14:1 Attack Time 0.2 ms to 150 ms Release Time 40 ms to 1000 ms Auto Attack and Release Attack = 10 ms, Release = 150 ms Curve Types hard and soft knee EQ Type 2nd order shelving filter (Q = 0.55) Q 0.1 to 4 Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB Low Mid 90 Hz to 1.2 kHz, ±15 dB High Mid 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB Graphic EQ 31- Band 1/3rd Octave Controls Curve-fitting algorithm Gain/Attenuation ±15 dB Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DAC Dynamic Range (A-wtd, 48 kHz) 118 dB FireWire S400, 400Mb/s Internal Processing 32-bit, floating point Sampling Rate 44.1, 48 kHz A/D/A Bit Depth 24 Reference Level for 0 dBFS -18 dBu Clock Jitter <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out) Power/Environmental Connector IEC Input-Voltage Range 100 to 240 V~, 50-60Hz Power Requirements (continuous) 100 W Temperature Range 0 - 40 degrees celsius Physical Length 21.31 inches (541.27 mm) Width 25.19 inches (639.80 mm) Maximum Height 7.02 inches (178.21 mm) *Please see complete mechanical drawings when building a custom rack, desk or case. Weight 30 lbs.
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