Presonus StudioLive AR16c (B-Stock)
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Audio recording made easy.
Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.
Features
Recording
- 18x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface
- Record every channel plus the main mix
- 2x2 SD recorder to capture the main mix
- Supports SD™ and SDHD™ formats up to 32 GB
Mixing
- 18-channel analog mixer
- 12 balanced microphone inputs with XMAX mic preamps
- 2 insert points
- 2 instrument/line inputs
- 16 balanced line level inputs:
- 8 mono
- 4 stereo pairs
- Stereo Super Channel (Ch. 17/18) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
- 8 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ
- 2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output
- L/R Control Room outputs with level control
- Headphone output with level control
Signal Processing
- Highpass filter on every channel
- 3-band quasi-parametric EQ with sweepable mid-band on each mono channel
- 3-band semi-parametric EQ on each stereo channel
- Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
- Mic/line boost on stereo channels for low-level input sources and consumer devices
Included Software
- Capture™ live multitrack recording software
- Studio One ® Artist recording and production software (DAW)
- Studio Magic plug-in suite
Power
- Internal power supply
- Standard IEC power connector
Physical
- Sturdy metal construction
- 60 mm faders
- Rackmount kit included
Computer system requirements:
Below are the minimum computer-system requirements for use with Capture™ and Studio One®.
Mac
- macOS® 10.13 or higher (64-bit only)
- Intel® Core™ i3 or better
- Minimum 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 10 (64-bit only)
- Intel Core i3 / AMD A10 processor or better
- Minimum 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366x768 resolution
The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
Technical Specifications
Microphone Preamp |
|
|---|---|
| Type | XLR Female, Class A XMAX |
| Maximum Input level (unity gain) | +9 dBu ±1.0 dB |
| Gain Control Range | 43 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/- 1.5 dB |
| S/N Ratio to Outputs (+4 dBu) | 94 dB |
| THD+N (min. gain, A-wtd) | < 0.01% |
| Input Impedance | 1 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: < 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
| Phantom Power | +48V, ±3V, Global |
| Note: All Channel Inputs sum through Mic preamp |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female, Unbalanced, Hi-Z |
| Maximum Input Level (min. gain, 1 [email protected]% THD+N) | +9 dBu ±1.0 dB |
| Gain Control Range | 43 dB, ±1 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (min. gain, A-wtd) | > 105 dB |
| Dynamic Range (mid. Gain, unwtd) | > 108 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| THD+N (1 kHz, -1 dBFS, unwtd) | < 0.01% |
| Input Impedance | > 1 MΩ |
| Note: All Channel Inputs sum through Mic preamp |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, Balanced |
| Maximum Input Level (min. gain, 1 [email protected]% THD+N) | +26 dBu ±1.0 dB |
| Gain Control Range |
Mono Channels: 40 dB, ±1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| S/N Ratio to Analog Outputs (+4 dBu) | 85 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| Input Impedance (Balanced) | 10 kΩ |
| Note: All Channel Inputs sum through Mic preamp |
Main, Control Room, Monitor, and FX Outputs |
|
|---|---|
| Type (Main Outputs) | XLR Male, Impedance Balanced |
| Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
| Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
| Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 108 dB |
| THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
| Output Impedance | 100 Ω |
Headphone Output |
|
|---|---|
| Type | ¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level | 150 mW/channel @ 60 Ω |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 103 dB |
| THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
System Crosstalk |
|
|---|---|
| Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) | -85 dBu |
Signal Level LED |
|
|---|---|
| Signal | -30 dBFS (pre-EQ) |
| Clip | -3.0 dB before clip (pre- or post-EQ) |
Channel EQ |
|
|---|---|
| Low Cut | 100 Hz, -18 dB/Octave |
| High Shelving | ±15 dB @ 10 kHz |
| Mid Peaking (Mono Channels) | ±15 dB @ 140 Hz to 3.5 kHz (variable) |
| Mid Peaking (Stereo Channels) | ±15 dB @ 2.5 kHz |
| Mid-Band Q | Boost: 1.0, Cut: 2.5 |
| Low Shelving | ±15 dB @ 100 Hz |
Digital Audio |
|
|---|---|
| Host Interface | USB 2.0 |
| ADC Dynamic Range (Component) | 114 dB |
| ADC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| DAC Dynamic Range (Component) | 114 dB |
| DAC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| Signal-to-Noise (a-weighted) | -96 dB |
| Bit Depth | 24-bit |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
| Jitter | < 80 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | > 60 dB (1 ns in => 1 ps out) |
SD Recorder |
|
|---|---|
| Supported Media Format | FAT16 formatted SD™ card, FAT32 formatted SDHC™ card |
| Media Storage Capacity | SD card: 2 GB; SDHC card: 32 GB |
| Recording File Format | Stereo WAV |
| Playback File Formats | Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) |
| Sampling Rate (WAV) | 44.1 kHz |
| Bit Depth |
Recording: 24-bit Playback: 16- or 24-bit |
Power/Environmental |
|
|---|---|
| Connector | IEC |
| Input Voltage Range | 90 to 240 VAC |
| Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
|---|---|
| Height | 3.5” (89 mm) |
| Width (Chassis only) | 18.9” (480 mm) |
| Depth | 15.6” (397 mm) |
| Weight | 14.1 lbs (6.4 kg) |
| MPN (manufacturer part number) | SLMAR16C |
|---|---|
| UPC (Universal Product Code) | 00673454008573 |
| Condition | Used |
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