RME Fireface 800 FireWire Recording Interface
Special Price $1,799.00 Regular Price $1,999.00
10 x Analog I/O 1 x Stereo Headphone Out 2 x ADAT I/O or 1 x ADAT I/O plus 1 x SPDIF I/O optical 1 x SPDIF I/O coaxial 1 x Word Clock I/O 1 x MIDI I/O 4 x Mic/Line Inputs with Preamps 1 x Instrument input adjustable 2 x FireWire 800 1 x Firewire 400 optional: Time Code Module TotalMix
RME Fireface 800 FireWire Recording Interface The Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface. Since the Fireface first shipped in July 2004, the unit became the reference for FireWire audio - and still is today! The Fireface 800 combines the latest and also proven technologies of previous RME products with the fastest FireWire technology. Analog technology of the ADI-8 converters, microphone technology of the OctaMic, TotalMix technology of the Hammerfall DSP series, years of experience in programming of efficient and reliable drivers, up to complete support from DIGICheck - only the best of the best, and even a bit more. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface, a high power headphone output and signal-to-noise ratios of 119 dBA. RMEs Fireface 800 is seen as reference by users and editors, when talking about FireWire audio and mobile recording. It includes lots of features and capabilities not available from other manufacturers.
|MPN (manufacturer part number)||FIREFACE800|
|Features||All inputs and outputs can be used at the same time*!. E. g., the instrument input can be used either instead of the line input on the back, or together with it. Even the TRS jack and the XLR socket of the microphone inputs can be used simultaneously. This way, up to 35 signal sources can be connected to the Fireface 800 and recorded onto 28 separate tracks! Thanks to the DSP-based TotalMix mixer, known from the Hammerfall DSP series, all inputs and outputs can be freely mixed, distributed and routed. Up to 14 completely independent stereo submixes are possible. Each of the mixer's output channels, that is every single submix channel, can be recorded directly, without the need of external cable loops. And there's more: TotalMix can be MIDI remote controlled with any Mackie Control compatible controller. All settings including TotalMix are recalled during boot via flash memory. After making all desired settings, the device works stand-alone even without computer as a submixer, A/D and D/A-converter, headphone mixer, format converter, instrument or microphone pre-amplifier, monitoring mixer and much more. The Fireface 800 is equipped with SteadyClock(TM), RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. SteadyClock refreshes clock signals, removes jitter, and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality. SteadyClock allows the Fireface 800 to control the sample rate freely on its own. The Settings dialog includes a direct choice of the video and audio world's most often used sample rates. Additionally, two faders can be used to set the sample rate freely and in real-time, within the range of +/- 4% and +/- 0.4%. Via an insert slot on the back, a Time Code Option (TCO) for synchronizing to LTC and video can be added. Thanks to SteadyClock, the Fireface 800 does not only extract absolute positions, but also a very clean low-jitter word clock. The Fireface 800 has a second port for hub functionality, bi-lingual mode for full FireWire 400 compatibility, and an additional FireWire 400 port. Several Fireface 800 can be used in parallel and at the same time on one FireWire port.|
|Specs||Input AD: 8 x 1/4" TRS, 4 x XLR Mic, 4 x 1/4" TRS Line, all servo-balanced. 1 x 1/4" TS unbalanced Output DA: 8 x 1/4" TRS, servo-balanced, DC-coupled signal path. 1 x 1/4" TRS unbalanced Input Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) Output Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) MIDI: 1 x MIDI I/O via 5-pin DIN jacks, for 16 channels low jitter hi-speed MIDI Dynamic range AD: 109 dB RMS unweighted, 112 dBA THD AD: < -110 dB (< 0.00032 %) THD+N AD: < -104 dB (< 0.00063 %) Crosstalk AD: > 110 dB Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted) THD DA: < -103 dB (< 0.0007 %) THD+N DA: < -100 dB (< 0.001 %) Crosstalk DA: > 110 dB Input/Output level for 0 dBFS @ Hi Gain: +19 dBu Input/Output level for 0 dBFS @ +4 dBu: +13 dBu Input/Output level for 0 dBFS @ -10 dBV: +2 dBV Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz Sample rate externally: 28 kHz - 200 kHz Frequency response AD/DA: -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz) Frequency response AD/DA: -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz) Frequency response AD/DA: -1 dB: < 5 Hz - 70 kHz (sf 192 kHz) Driver support Windows 2000 SP4, Windows XP, Vista (32 and 64 bit), 7 (32 and 64 bit): Full ASIO multi-client operation of WDM, MME (not XP64), GSIF 2.0 and ASIO 2.0. WDM (DirectSound) with stereo and multi-Channel support. Full hot-plugging. Up to 3 units operational. Mac OS X (10.3 or higher) PPC and Intel: Core Audio, Core MIDI. Full hot-plugging. Up to three units operational. * In Quad Speed mode (176.4 and 192 kHz), both ADAT I/Os are deactivated ** Firewire is a registered trademark of Apple Inc.|